The Plot Thickens
If you thought you knew the story of John Steinbeck’s East of Eden, think again. Creator Zoe Kazan is back with a fresh, limited series adaptation on Netflix that pivots the focus toward two of the book's most complicated figures: the villainous Cathy Ames (Florence Pugh) and the observant Lee (Hoon Lee).
While the 1955 film version famously focused on just the latter portion of the multi-generational drama, this series takes on the whole massive epic. It’s a bold choice that hits different, especially with Pugh taking the reins as executive producer and lead.
Cathy’s Era
Florence Pugh absolutely eats as Cathy Ames. We first meet her as a teenager showing up on the doorstep of brothers Adam (Christopher Abbott) and Charles Trask (Mike Faist), and honestly? The vibes are off, but in the best way. Pugh portrays Cathy not just as a standard villain, but as a creature of pure, calculating instinct. She’s a master of agency, treating societal expectations like a “poorly made knot” she can just slip out of.
While some might find her cold, it’s refreshing to see a female character who doesn't feel the need to be likable. The show does attempt to humanize her a bit by digging into her backstory, which is a departure from Steinbeck’s original "monsters are born" philosophy, but Pugh’s performance remains highkey magnetic throughout.
The Verdict
Production-wise, the show is lush and gorgeous, even though it was filmed in New Zealand rather than the actual Salinas Valley. There is a bit of compression due to the show being cut down to seven episodes, meaning we don’t get as much time with Mike Faist’s Charles or the next generation of Trasks as we might have liked. However, the show carves out essential space for Lee’s perspective, allowing him to serve as the beating heart of this cyclical family tragedy.
Why it matters
Adapting a literary classic is a massive flex, but by shifting the gaze onto Cathy and Lee, Kazan manages to bring themes of original sin and free will into the 21st century. It’s a masterclass in character-driven storytelling that proves even the most "iconic" tales deserve a modern glow-up.






